The Tearjerkers enjoyed support from fans from all over Britain and Ireland
during the late seventies. What set the Tearjerkers apart from their Northern Irish contempories was that every member of
the band was a songwriter with a keen ability to write catchy and fun pop songs. They were not impressed by the ram-a-lama
dole queue version of punk rock, they wrote short fast high energy intelligent songs. The bands members age's ranged
from eighteen to twenty four and all were accomplished players having cut their musical teeth playing in other bands.
The Tearjerkers were out to have as much fun as they could and constantly toured playing
every venue that put on live music all over Ireland both north and south and also in the Greater London Area. This constant
touring won the band many fans especially in the South of Northern Ireland which was generally ignored by Belfast bands.
The Tearjerkers line up
Paul 'Westie' Maxwel - Vocals
- Howard 'Throb' Ingram - Bass Guitar
- Paul 'Groover' McIlwaine - Guitar
- Brian 'Brinsley' Rawson - Guitar
- Nigel 'Squatty' Hamilton - Drums later replaced by Gregg Lindsay
The band signed to local cult label Good Vibrations before signing to Phonogram label releasing the
following singles:-
- Love affair - Good Vibes
- Murder Mystery - Phonogram
- Through the Back Door (American compilation album)
Phonogram
- Where's Julie - Blue Rhythm Audio
- The Tearjerkers also released a live album originally on cassette titled "Everybody Wants To Shag... "The Tearjerkers - This has become a highly sought
after collectable
The Tearjerkers scored a minor hit in the UK reaching number 74 in the UK singles chart
with the single Murder Mystery produced by John Astley & Phil Chapman who had previously worked with
the Who and Eric Clapton. This single was also released
in France, Sweden, and Belgium where it was well received reaching the lower reaches of European hit parades. Murder
Mystery was reviewed favourably on Radio One's Round Table on which Johnny Rotten gave it a thumbs up! This single now exchanges hands at very high prices and is one of the most prized
'rare' singles from the punk era - so if you have one hang on to it